RESIDENCY SHOW

RESIDUE

02 JULY - 09 AUGUST 2026
A SPACE RESIDENCE, LONDON

Ana Benavides
A Place I Had Forgotten, 2026
Oil, marble powder, oil pastels and wax on canvas
90 x 160 cm

£6,000

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Ana Benavides
Held By Light, 2026
Oil, oil pastels and wax on canvas
28 x 28 cm

£1,450

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Ana Benavides
Unfolding While Becoming, 2026
Oil, oil pastels and wax on canvas
60 x 50 cm

£2,860

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Regina Torres Thompson
As in the body, so in the cosmos, 2026
Hand-built, stoneware clay, glaze
54 × 17 × 16 cm

£2,000

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Regina Torres Thompson
Avadhūtī, 2026
Hand-built, stoneware clay, glaze
52.5 × 12 × 11 cm

£1,200

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Regina Torres Thompson
Lalanā and Rasanā, 2026
Hand-built, stoneware clay, glaze
50 × 13 × 13 cm

£1,600

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Regina Torres Thompson
Deha, 2026
Hand-built stoneware clay, glaze
56 × 14 × 14 cm

£1,500

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Regina Torres Thompson
Tanu I, 2026
Hand-built stoneware clay, oxides
25 × 11 × 6 cm

£1,100

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Regina Torres Thompson
Tanu II, 2026
Hand-built stoneware clay, oxides
28 × 8.5 × 14 cm

£1,350

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Farnaz Gholami
An Exercise in Hope, 2026
Acrylic and oil on canvas
100 x 70 cm

£3,400

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Farnaz Gholami
Damavand, Still, 2026
Acrylic and oil on canvas
100 x 70 cm

£3,400

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Farnaz Gholami
Homeland, Interrupted, 2026
Acrylic, ink, oil and soft pastel on canvas
160 x 130 cm

£6,000

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Farnaz Gholami
Suspended Aftermath, 2026
Acrylic, ink, oil and soft pastel on canvas
160 x 130 cm

£6,000

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Jingshan Ding
Run!, 2026
Oil and acrylic on linen
41 x 88 cm

NFS

Jingshan Ding
Run!!, 2026
Oil and acrylic on linen
41 x 88 cm

NFS

Jingshan Ding
Run!!!!!, 2026
Oil and acrylic on linen
71 x 150 cm

NFS

Jingshan Ding
Shed S, 2025
Acrylic on linen
25 x 20 cm

£900 GBP

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Jingshan Ding
Cut I, 2025
Acrylic on linen
24 x 20 cm

£800 GBP

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Jingshan Ding
Cut II, 2025
Acrylic on linen
24 x 20 cm

£800 GBP

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Seongeun Lee
Rusted 01, 2026
Cotton yarn, wool yarn, acrylic yarn, rust dyeing,
knitting technique
60 x 30 x 2 cm

£400

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Seongeun Lee
Arrangement 10, 2026
Cotton yarn, wool yarn, acrylic yarn, knitting technique
26 × 21 × 10 cm

£1,500

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Seongeun Lee
What Remains, 2026
Cotton yarn, wool yarn, acrylic yarn, knitting technique
Variable dimensions

NFS

We live in an era of profound estrangement. Shaped by modern individualisation, digital polarisation and rising nationalisms, our sense of a shared life has been severely eroded. We find ourselves in societies where we are physically close yet increasingly distant from one another emotionally and politically. This fragmentation leaves our desire for belonging susceptible to narratives shaped by fear, while destabilising the very ground upon which coexistence is built. In a world where traditional anchors have dissolved, the exhibition revolves around a fundamental question: what does it mean to be ‘at home’?

If home is no longer a fixed geographic coordinate, then one must become their own home, a portable space in which consciousness, values and dignity are carried within. Yet this internal refuge does not imply withdrawal from the world. On the contrary, it necessitates a new form of togetherness, one that requires us to live with difference and to cultivate a sense of responsibility towards one another. This form of coexistence does not emerge from a romanticised unity but from fragile yet meaningful relations formed within everyday life.

Situated within a domestic space, the exhibition brings the works into an intimate field of dialogue. The pieces, which recontextualise the ordinary elements of domestic life, invite us to rethink boundaries, modes of belonging and the possibilities of living together. In this context, Residue refers not only to what remains, but to the traces left behind by shared experiences, encounters and lived time. As the exhibition interrogates notions of safety, familiarity and coexistence, it displaces the idea of home from a fixed place into a continuously reconfigured relational space.



Text by Senem Cagla Bilgin-Keys